What can a label, a stamp and centuries of violin-making history tell us about one intriguing instrument?

Among the musical instruments appearing in our upcoming auction is this characterful old violin with bow and fitted wooden carrying case — a lot that immediately deserves the attention of violin collectors, musicians, dealers and enthusiasts of historic stringed instruments.

The violin bears an internal label reading “Francesco Ruggièri”, while the accompanying bow carries the inscription “Voirin Paris.”

Those two names alone are enough to make a knowledgeable collector look twice.

But as experienced instrument collectors know, labels and stamps are only the beginning of the story.

A Violin With Character

The photographs reveal an attractive old violin with warm amber-brown varnish and visible signs of age and use.

From its elegant outline and traditional f-holes to the dark fingerboard, scroll, tuning pegs and beautifully figured back, this is an instrument whose visual character has developed over many years.

Look closely and several details stand out:

Warm reddish-brown / amber varnish
Attractive figured wood visible across the back and ribs
Traditional violin construction with carved scroll and f-holes
Visible age-related wear and patina
Dark fingerboard, tailpiece and tuning pegs
Original-style fitted wooden carrying case
Accompanying bow with visible stamp
️ Internal violin label

For collectors, these small details matter.

A violin is not simply a musical instrument. It is a combination of woodworking, acoustics, craftsmanship, history and musical culture.

The Label: “Francesco Ruggieri”

Inside the violin is a label bearing the name “Francesco Ruggièri.”

That name is historically important.

Francesco Rugeri, also written Ruggieri, was a significant violin maker working in Cremona, Italy, during the 17th century and is associated with the great Cremonese tradition of stringed-instrument making. His surviving instruments are highly regarded by musicians and collectors.

However, this distinction is extremely important:

A label bearing a historic maker’s name does not by itself establish that an instrument was made by that maker.

Labels were copied, replaced and reproduced extensively throughout the history of violin making.

For that reason, we describe this particular instrument accurately as:

“An old violin bearing a label reading ‘Francesco Ruggièri’.”

Its exact maker, period and attribution should be assessed independently by a qualified violin expert or luthier.

That uncertainty is not unusual in the world of old violins.

In fact, researching an unidentified or labelled instrument is part of what makes collecting them so fascinating.

The Bow: Marked “Voirin Paris”

The accompanying bow provides another intriguing detail.

The stick carries an inscription reading “Voirin Paris.”

François Nicolas Voirin was one of the notable French bow makers of the 19th century. Born in Mirecourt in 1833, he later worked in Paris, including for the celebrated workshop of Jean-Baptiste Vuillaume, before establishing his own workshop. His bows became highly regarded for their elegant construction and playing qualities.

Again, collectors should interpret the stamp carefully.

Specialist references specifically note that Voirin’s brand was also used after his lifetime and was frequently copied.

The correct auction description is therefore:

“Bow bearing the inscription/stamp ‘Voirin Paris’.”

It should not be considered an authenticated François Nicolas Voirin bow solely on the basis of the stamp.

For a knowledgeable bow collector, however, that marking certainly makes the piece worthy of closer examination.

Look Closely at the Bow

The accompanying photographs show several details useful to prospective buyers.

The bow displays:

• A dark wooden stick
• A black frog
• A circular decorative eye to the frog
• Metal winding around the handle section
• A visible “Voirin Paris” marking
• A traditional bow head and tip
• Natural signs of age and use

As with any historic bow, important questions include the material of the stick, fittings, weight, dimensions, straightness, repairs, originality of components and attribution.

Collectors and musicians are therefore strongly encouraged to examine the bow in person during viewing.

Beautiful Figuring to the Back

Turn the violin over and another appealing feature becomes visible.

The back shows pronounced figured or flamed wood, creating shifting bands of light across the surface.

This effect is especially attractive under changing light and is one of the visual characteristics collectors often appreciate in traditionally constructed violins.

The ribs also display figuring, adding further visual depth around the body.

Of course, attractive wood alone does not establish quality or origin.

But it certainly contributes to the instrument’s presence.

The Scroll: A Violin Maker’s Signature in Wood

For collectors and luthiers, the scroll can be one of the most fascinating parts of an old violin.

The carved spiral at the top of the instrument may look purely decorative, but the way it has been shaped can provide clues about the hand or workshop responsible for making an instrument.

The close-up photographs show:

• The carved volute
• Pegbox construction
• Four dark tuning pegs
• Tooling and surface wear
• The transition between neck and pegbox

Serious violin specialists often study the scroll alongside the f-holes, arching, purfling, corners and internal construction when assessing an instrument.

Why Old Violins Are So Fascinating to Collect

Few collectibles combine so many different disciplines.

An old violin can be studied as:

Decorative art – through its outline, varnish and craftsmanship

Woodworking – through carving, construction and choice of timber

A musical instrument – whose ultimate purpose is sound

A historical object – carrying evidence of previous generations

A research subject – where labels, construction and provenance must be investigated

A working instrument – if its condition and setup allow it to be played

That is why the market for antique and vintage violins attracts musicians as well as collectors.

A musician may search for tone and playability.

A collector may focus on origin, maker and craftsmanship.

A dealer or luthier may notice construction details that others overlook.

One instrument can appeal to all three.

What Should You Examine During Viewing?

Old violins should ideally be inspected in person.

Photographs provide valuable information, but they cannot fully communicate weight, construction, setup or playing characteristics.

During viewing, prospective bidders may wish to examine:

The internal label
Look at the wording, typography and placement.

The body
Inspect the front, back, ribs, corners and edges.

The wood
Examine the figuring and grain under different light.

The scroll and pegbox
Look closely at carving and construction.

The f-holes and arching
These can contain important stylistic information.

️ Repairs and restoration
Older instruments frequently have repaired cracks or replacement components.

The bow
Inspect the stamp, frog, winding, head and stick carefully.

The case
The fitted carrying case accompanies the instrument and contributes to the overall lot.

Playability
Anyone intending to use the violin as a working instrument should arrange an appropriate professional assessment.

A Name Connected to Cremona

For violin enthusiasts, Cremona carries enormous historical significance.

The Italian city became synonymous with violin making through families and makers including Amati, Stradivari, Guarneri and Rugeri.

Francesco Rugeri belonged to this remarkable Cremonese tradition and worked during one of the most important periods in the development of the violin.

The presence of a “Francesco Ruggièri” label in this instrument therefore provides an interesting research point — while remaining exactly that until specialist attribution is established.

A Bow Name Connected to Paris

The “Voirin Paris” inscription creates a second historical connection.

François Nicolas Voirin became an important figure within 19th-century French bow making, working in Paris and developing a reputation for elegant, refined bows.

This means one auction lot brings together two names associated with two of Europe’s great centres of string-instrument craftsmanship:

Cremona and Paris.

Whether these markings ultimately prove to indicate maker, workshop, later attribution or simply historic labelling is precisely the question that makes close examination so interesting.

A Lot for Violin Collectors, Musicians & Instrument Enthusiasts

This violin may particularly appeal to buyers searching for:

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These long-tail terms help specialist buyers discover the lot without making an unsupported attribution.

See the Violin in Person

For an instrument of this nature, physical inspection is strongly recommended.

VIEWING DAYS
20 & 21 November

AUCTION DAYS
24 & 25 November

Jordaens N.V. – Mortsel, Antwerp, Belgium

Examine the violin, label, bow stamp, case, wood, construction and condition before bidding.

Buyers wishing to establish maker, period, authenticity, playing condition or attribution should seek an independent professional opinion from a qualified violin expert or luthier.

What Story Is Hidden Inside This Violin?

Perhaps it is the warm old varnish that attracts you first.

Perhaps the beautifully figured back.

Perhaps the words “Francesco Ruggièri.”

Or perhaps it is that small “Voirin Paris” stamp on the bow.

Whatever catches your attention, this is precisely the sort of auction lot that encourages closer investigation.

A violin can survive generations.

It can pass from musician to musician, house to house and country to country — accumulating wear, repairs, memories and unanswered questions along the way.

And sometimes, those unanswered questions are what make an old instrument irresistible.

Explore the complete auction catalogue
Study the detailed photographs
Inspect the instrument during viewing
❤️ Save the lot to your favourites
Register and bid

Some objects reveal their story immediately. Others leave you with questions that make you want to look closer.

Our upcoming 27 & 28 October 2026 auction in Mortsel, Antwerp features a remarkable and visually powerful collection of African art, traditional carved figures, masks, sculptural objects and ethnographic collectibles.

Every object has its own presence.

Expressive carved faces. Tall standing figures. Masks combining wood with fibre and decorative elements. Sculptural forms shaped by hand. Surfaces showing colour, texture, wear and character.

Together, they form a collection that immediately invites curiosity.

For collectors of African traditional art, ethnographic art, carved wooden sculpture, masks and cultural artefacts, this is a section of the October auction that deserves careful attention.

A Collection Full of Individual Character

Unlike mass-produced decorative objects, traditional carved works often reveal the individuality of their maker through proportion, expression, surface and detail.

Look across this collection and no two faces are alike.

Some are highly stylised.

Others are dramatically expressive.

Some figures appear monumental despite their relatively compact size, while others incorporate fibres, beads, pigment or additional decorative materials that add texture and visual complexity.

Among the objects pictured are:

• Traditional-style African masks
• Carved wooden standing figures
• Male and female figurative sculptures
• Masks with fibre or hair-like attachments
• Polychrome and pigment-decorated masks
• Sculptural figures with applied decorative elements
• Seated and standing ancestor-style figures
• Carved ceremonial-looking objects
• A decorative lidded vessel or container
• Highly expressive wooden heads and masks
• Figurative sculptures displayed on stands

The visual variety alone demonstrates how broad the field of African and ethnographic art can be.

More Than Decoration: Objects With Cultural Context

Traditional African sculpture cannot always be understood simply by looking at form.

Depending on its origin, an object may historically have been associated with ancestry, status, community ceremonies, protection, initiation, storytelling, spirituality or everyday cultural life.

But visual similarity alone is not enough to determine a specific object’s original meaning.

That is why serious collectors look beyond appearance.

They investigate:

Where was it made?

Which cultural tradition produced it?

When was it collected?

Who owned it previously?

Was it created for local use or later for the collecting market?

Are there collection labels, records or documented provenance?

These questions transform an interesting sculpture into an object with context.

Prospective bidders should therefore consult the individual catalogue entries for confirmed information regarding origin, cultural attribution, material, date, provenance, dimensions and condition.

The Extraordinary Power of the Mask

Masks are among the most visually recognisable forms associated with traditional African art.

But there is no single “African mask style”.

Across a continent containing thousands of communities and artistic traditions, masks can differ dramatically in shape, materials, symbolism and function.

This collection illustrates that diversity beautifully.

Some faces are elongated and serene.

Others feature large eyes or strongly emphasised mouths.

Several incorporate fibres or other applied material.

Some are highly naturalistic, while others reduce the human face to a series of powerful geometric shapes.

For collectors, these differences are precisely what make the field so fascinating.

A mask can be appreciated first as sculpture — but understanding its origin can reveal an entirely deeper layer of meaning.

Carved Figures: Expression Through Form

The standing figures in this auction are equally compelling.

Notice how posture alone changes the personality of each sculpture.

Some figures stand rigidly and frontally.

Others bend their knees or hold objects.

Hands may rest on the abdomen, chest or sides.

Heads may be proportionally enlarged.

Facial expressions range from calm and introspective to highly animated.

These are not accidental details.

In many traditional sculptural traditions, proportion and posture do not necessarily attempt to reproduce the human body realistically. Instead, individual features can be emphasised because of their visual, social or symbolic importance.

That makes these sculptures particularly interesting to collectors accustomed to European academic traditions, where realism historically played a very different role.

Texture, Patina & Evidence of Age

One of the most compelling qualities of carved wooden objects is their surface.

Wood changes over time.

Handling, environmental exposure, pigments, oils, dust, repairs and age can all affect appearance.

Collectors therefore pay close attention to:

• Surface patina
• Wear patterns
• Tool marks
• Pigment and colour
• Cracks and losses
• Older repairs
• Added fibres or attachments
• Bases and undersides
• Collection numbers or labels

However, appearance alone should never be treated as proof of age.

Artificial ageing and later decorative treatments exist, which is another reason provenance and specialist catalogue information can be so important when evaluating ethnographic art.

Provenance Matters

For serious collectors of African and ethnographic art, provenance can be as interesting as the object itself.

An established ownership history can tell us when an object entered a European collection, where it was previously acquired and how it moved between collectors.

Useful provenance information may include:

• Previous private collections
• Dealer or gallery labels
• Old auction records
• Collection inventory numbers
• Exhibition history
• Historic photographs
• Acquisition documentation
• Import or export records where applicable

Collectors should always review the available provenance and catalogue information associated with an individual lot rather than relying solely on stylistic appearance.

Why African Art Has Influenced the Wider Art World

Traditional African sculpture has had an enormous influence on the development of modern art and design.

European artists in the early 20th century encountered African masks and sculpture whose approaches to abstraction, proportion and representation differed radically from European academic conventions.

The resulting encounter helped change how generations of artists thought about the human figure.

Today, African traditional art is collected on several levels.

Some collectors focus intensely on a particular region or artistic tradition.

Others collect masks.

Some specialise in figurative sculpture.

Others are primarily drawn to the extraordinary visual strength these objects can bring to an interior.

Powerful Objects for Contemporary Interiors

One of the fascinating things about ethnographic sculpture is how naturally it can work within contemporary spaces.

A single carved figure on a minimalist pedestal can become the strongest object in a room.

A traditional mask against a plain wall can have more impact than a large decorative print.

A carefully curated group of figures can create a museum-like display within a private home.

This is why African art attracts not only specialist collectors but also architects, interior designers and buyers searching for statement pieces with individuality.

The most successful interiors often combine objects from different periods rather than recreating one historical style.

Traditional sculpture beside contemporary furniture.

Old wood against concrete.

Organic surfaces against clean architecture.

The contrast allows both objects to become more powerful.

What Should Collectors Examine During Viewing?

Our public viewing days offer an opportunity to examine details that photographs cannot fully communicate.

When looking at ethnographic art, consider inspecting:

The back and underside – old labels or collection markings can sometimes be found away from the main viewing surface.

The wood and construction – observe carving methods, joins, cracks and repairs.

Pigment and surface – colour, residue and wear can reveal valuable information.

Applied materials – fibres, beads, shells, metal or other attachments may form an important part of the object.

️ Labels and inventory numbers – these can occasionally provide clues to earlier ownership.

Provenance – always compare the physical object with the information provided in the catalogue.

⚠️ Condition and restoration – examine old breaks, replacements or losses carefully.

Exact cultural attribution, age, function and authenticity should be based on documented catalogue information and specialist examination rather than photographs alone.

African Art & Ethnographic Collectibles at Auction in Belgium

This collection may be particularly interesting to people searching for:

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While some of these phrases — particularly “tribal art” and “primitive art” — remain established search terms within the international collecting market, we prefer the more precise descriptions African traditional art and ethnographic art wherever possible.

Come Face to Face With the Collection

These objects are especially rewarding to view in person.

Photographs can show shape.

They cannot fully convey scale, surface, carving depth, patina and presence.

We therefore invite collectors, dealers and interested visitors to see the collection during our public viewing days.

VIEWING DAYS
Friday 23 October 2026
Saturday 24 October 2026

AUCTION DAYS
Tuesday 27 October 2026
Wednesday 28 October 2026

Jordaens N.V. – Mortsel, Antwerp, Belgium

Please consult each individual lot description for confirmed information regarding cultural attribution, country or region of origin, period, provenance, materials, dimensions and condition.

Which Face Draws You In?

Look at the collection one more time.

Which piece did your eye return to?

The tall central figure?

One of the fibre-framed masks?

The strongly geometric faces?

The expressive standing figures?

Or perhaps one of the simplest sculptures?

That instinctive reaction is often where collecting begins.

First an object catches your attention. Then you want to know its story.

Explore the full October auction catalogue, examine your favourite pieces during our viewing days and join the bidding on 27 & 28 October.

Discover traditional art and craftsmanship
Research the objects that intrigue you
Examine them closely during the viewing
❤️ Save your favourite lots
Register and bid

Every face has a presence. Every object has a history. The next chapter may begin at auction.

When light meets beautifully cut glass, even an everyday object can become a work of art.

Our upcoming 27 & 28 October 2026 auction in Mortsel, Antwerp features a dazzling selection of cut glass, crystal-style glassware, coloured stemware, decanters, decorative bowls and statement vases — a collection designed to catch both the eye and the light.

From brilliant cobalt blue and emerald green to ruby red, amber, pink and perfectly clear glass, this selection demonstrates why fine glassware has fascinated collectors for generations.

Some pieces were created to grace an elegant dining table.

Others were made to become decorative centrepieces in their own right.

Together, they form one of the most colourful sections of our October auction.

Discover an Exceptional Collection of Glassware

Look closely at the collection and an impressive variety of forms begins to emerge.

Among the pieces pictured are:

• Large decorative cut-glass vases
• Cobalt-blue overlay-style glassware
• Red and clear decorative vase
• Green cut-glass vase
• Decorative crystal-style bowls
• Coloured stemmed glasses
• Sets of clear cut-glass goblets
• Wine and dessert glasses
• Small liqueur or cordial glasses
• Multicoloured cocktail-style glasses
• Decorative amber glass
• Elegant decanters with matching stoppers
• A striking multi-piece decanter or vanity-style set
• Large statement bowls and centrepieces

Whether displayed inside a cabinet, used for entertaining or collected purely for their craftsmanship, these are pieces that reward a closer look.

Why Cut Crystal and Decorative Glass Remain So Collectible

Fine glassware has a special quality that few other decorative objects possess:

it changes with the light.

A deeply cut surface can sparkle dramatically in sunlight.

A coloured glass can look completely different depending on what is behind it.

Clear crystal-style glasswork creates reflections, shadows and flashes of light, while coloured overlays add another layer of visual depth.

Collectors often appreciate glassware for a combination of:

• Quality of cutting
• Colour
• Clarity
• Weight
• Form and proportions
• Decorative technique
• Maker or factory
• Age and origin
• Rarity
• Condition
• Completeness of a set

Even two apparently similar glasses can reveal considerable differences when examined side by side.

That is one reason our public viewing days are particularly valuable for collectors.

Cobalt Blue: A Colour Made to Stand Out

One of the dominant colours in this collection is deep cobalt blue.

Several striking blue-and-clear pieces immediately draw the eye, including a tall decorative vase and substantial bowls or vessels featuring contrasting cut decoration.

Cobalt blue glass has long been popular because of its intensity.

When paired with clear cut sections, the contrast can emphasise the geometry of the cutting and create a dramatic jewel-like appearance.

These pieces can work equally well inside a traditional display cabinet or as bold decorative objects in a modern interior.

Ruby Red, Emerald Green, Amber & Pink

The collection is far from monochromatic.

Look further and you will discover vivid red, green, amber, pink and multicoloured stemware.

Sets of coloured glasses can completely transform a table setting.

Ruby and pink tones create warmth and drama.

Emerald green feels rich and traditional.

Amber introduces a warm vintage character.

And mixed colours can turn a collection of drinking glasses into a decorative display even when they are not being used.

For buyers interested in maximalist interiors, vintage table settings and colourful entertaining, these pieces offer enormous styling potential.

Elegant Stemware for the Collector — or the Dinner Table

One of the largest groups in the photograph consists of clear and coloured stemware.

Rows of goblets, wine glasses and smaller glasses demonstrate how much variation can exist within this category.

Cut-glass stemware has traditionally been associated with formal dining and special occasions, but today’s collectors are increasingly bringing vintage and antique glassware back into everyday use.

Why save beautiful glasses exclusively for a cabinet?

A carefully chosen vintage glass can make a simple dinner feel more special.

For collectors, complete or near-complete sets are particularly interesting because they allow a table to be arranged consistently while still retaining the character of older craftsmanship.

Decanters: Function Meets Decoration

At the centre of the upper section is an elegant collection of decorative decanters and bottles with glass stoppers.

Decanters occupy an interesting place in the history of tableware.

They were created for practical use, but makers quickly turned them into opportunities for decorative craftsmanship.

Faceted surfaces, coloured details, shaped stoppers and elaborate cutting can transform a simple bottle into an impressive display object.

Today, antique and vintage decanters are collected both individually and as parts of larger glassware collections.

They can also create an attractive display on a drinks cabinet, bar cart or dining-room sideboard.

Statement Vases & Decorative Bowls

Not every object in this auction is intended for drinking.

Several substantial vases, bowls and centrepieces demonstrate how glass can become sculptural.

Particularly striking are the large blue vase, the red-and-clear floral-decorated vase, substantial coloured bowls and the large green-and-clear geometric bowl in the centre of the collection.

Pieces of this scale can function as stand-alone decorative objects.

Place one on a dining table.

A console.

A sideboard.

A display cabinet.

Or simply somewhere that natural light can reach it.

The light does the rest.

From Traditional Dining Rooms to Contemporary Interiors

Collectible glassware is remarkably adaptable.

It does not require a completely traditional interior.

A richly coloured vintage vase can provide the perfect contrast in a minimalist room.

A group of mismatched coloured glasses can bring personality to a contemporary dining table.

Clear cut crystal-style pieces can complement almost any decorating style because their primary visual elements are light, shape and texture.

This flexibility is one reason vintage glass and crystal continue to attract new generations of collectors.

What Should Collectors Look For?

When examining antique and vintage glassware, details matter.

During our viewing days, prospective bidders may wish to inspect:

Signatures or etched makers’ marks – often found on the base

✨ Quality of cutting – deeper and more precise cutting can indicate higher levels of craftsmanship

Colour – examine consistency and the way the colour interacts with cut areas

Glass characteristics – bubbles, inclusions and manufacturing variations can sometimes provide clues to production methods

Matching sets – compare dimensions, patterns and proportions

Condition – inspect rims, stems, feet and high points carefully for chips or damage

️ Labels and markings – original labels can sometimes provide useful manufacturer information

Confirmed maker, origin, date, material and condition information should always be checked against the individual catalogue description.

Searching for Crystal & Collectible Glassware in Belgium?

Our October auction may appeal to buyers searching for:

cut crystal for sale, crystal auction Belgium, coloured glassware, vintage crystal glasses, antique glassware Belgium, crystal wine glasses, cut glass goblets, vintage stemware, coloured wine glasses, antique decanters, crystal decanter set, cobalt blue glass, vintage glass vase, cut crystal vase, decorative glass bowl, collectible glassware, Bohemian-style glass, European crystal, vintage barware, tableware auction, estate glassware and antiques auction Antwerp.

These categories attract not only traditional collectors but also interior designers, vintage enthusiasts, barware collectors and buyers searching for unique table settings.

See the Colours & Craftsmanship in Person

Glass is one category that photographs can never fully reproduce.

The brilliance, weight, reflections and intensity of colour are much easier to appreciate in person.

We therefore invite you to visit our auction house during the public viewing days.

VIEWING DAYS
Friday 23 October 2026
Saturday 24 October 2026

AUCTION DAYS
Tuesday 27 October 2026
Wednesday 28 October 2026

Jordaens N.V. – Mortsel, Antwerp, Belgium

Which Colour Would Make It Into Your Collection?

Cobalt blue?

Emerald green?

❤️ Ruby red?

Amber?

Pink?

✨ Or timeless clear crystal?

Perhaps the hardest part of this collection is deciding which colour deserves your bid.

Explore the complete October auction catalogue, save your favourite lots and visit us during our public viewing days before bidding begins.

✨ Discover the craftsmanship
Inspect your favourites in person
❤️ Save the pieces you love
Bid on 27 & 28 October

Because beautiful glass does more than reflect light — it transforms it.

Some antiques furnish a room. Others become the object everyone remembers.

Our upcoming 27 & 28 October 2026 auction in Mortsel, Antwerp presents a fascinating selection of decorative arts, antique and vintage collectibles, sculpture, clocks, porcelain, silver-toned tableware, musical instruments and statement interior pieces.

This is a collection filled with objects designed not simply to be useful, but to be admired.

At the centre stands a spectacular large gilt-framed mirror with an oval painted panel depicting cherubic figures, surrounded by an eclectic assortment of classical sculptures, decorative metalwork, porcelain, an ornate table lamp, clocks, violins and a richly detailed figurative tapestry.

For collectors, dealers, interior designers and anyone searching for something genuinely distinctive, this October auction offers an opportunity to discover objects with character, craftsmanship and history.

A Celebration of Decorative Arts

Decorative arts occupy a fascinating space between fine art and functional design.

A beautifully made clock tells time — but it can also be sculpture.

A vase may hold flowers — but its form, decoration and craftsmanship can transform it into an object worthy of collecting.

A mirror reflects a room — but an elaborate gilt frame can make the mirror itself the room’s focal point.

This October selection demonstrates that diversity beautifully.

Among the objects pictured are:

• An imposing ornate gilt-framed mirror with painted cherub decoration
• Classical and figurative sculptures
• A rearing horse sculpture
• A figure of Lady Justice with scales
• Decorative silver-toned tableware
• Elegant candlesticks
• An ornate porcelain pedestal and vase
• A sculptural female bust
• A colourful stained-glass or Tiffany-style table lamp
• Decorative mantel and table clocks
• Two violins presented in fitted cases
• A large figurative tapestry with elaborate floral surroundings
• Classical decorative metalwork and objets d’art

Each belongs to a different collecting tradition — yet together they illustrate the extraordinary variety found at auction.

A Mirror Designed to Command Attention

Few objects in this collection have the immediate impact of the large gilt-framed mirror.

The architectural frame is richly ornamented, with a painted oval scene occupying the upper section and a rectangular mirror below.

Floral and classical decorative motifs enhance the frame, while the warm gilt finish gives the piece a theatrical presence.

A mirror like this can function very differently depending on its surroundings.

In a traditional interior it can reinforce a sense of grandeur and historic character.

Placed in an otherwise contemporary room, however, it can become an extraordinary contrast piece.

Above a console.

In an entrance hall.

Over a fireplace.

Or simply displayed as a work of decorative art.

The best statement pieces do not merely fit into an interior — they define it.

Classical Sculpture & Symbolism

The collection also includes several fascinating sculptural objects.

One of the most recognisable subjects is Lady Justice, traditionally represented holding scales as a symbol of balance and fairness.

Nearby, a dynamic sculpture of a rearing horse captures movement and strength in a completely different way.

There are also figurative decorative objects and a striking female bust whose elaborate headpiece immediately draws attention.

For sculpture collectors, pieces such as these can work equally well within traditional collections and eclectic contemporary interiors.

They are objects that reward inspection from multiple angles — precisely the kind of pieces worth examining closely during our public viewing days.

Decorative Metalwork & Tableware

Another highlight is the elaborate silver-toned centrepiece positioned beneath the mirror.

Its complex naturalistic decoration, sculptural details and sweeping forms give it a highly ornamental character.

Decorative table pieces of this kind belong to a long tradition in which dining rooms and formal interiors were showcases for craftsmanship.

The auction also includes elegant candlesticks and other decorative metal objects that could appeal to collectors of:

antique silverware, silver-plated objects, decorative metalwork, tableware and European decorative arts.

As with all auction jewellery and metalwork, prospective buyers should consult the individual lot description for confirmed information regarding materials, marks, maker, age and condition.

Porcelain, Colour & Classical Interiors

The tall decorative pedestal and vase introduce another layer of colour into the collection.

With painted figurative decoration and deep blue accents, it provides the sort of visual impact associated with grand European interiors and decorative porcelain.

Collectors of antique porcelain, ceramics and decorative vases know that scale matters.

A substantial porcelain object can function almost like a sculpture, particularly when placed in an entrance hall, beside furniture or within a formal room.

Light as Decorative Art

Look to the right of the collection and another object immediately stands out:

A richly patterned stained-glass or Tiffany-style table lamp.

Decorative lamps of this kind are popular because their appearance changes completely when illuminated.

During the day, the coloured glass and metal framework become part of the room’s decoration.

At night, the light passing through the glass transforms the object into an atmospheric focal point.

For collectors of vintage lighting, Art Nouveau-inspired interiors and decorative lamps, pieces like this combine functionality with visual impact.

Antique & Vintage Clocks: Mechanical Art

Clocks have fascinated collectors for generations because they combine engineering with decoration.

Two striking examples can be seen within this collection, each designed as much to be displayed as to tell time.

Decorative clocks may appeal to collectors interested in:

• Antique mantel clocks
• Mechanical clocks
• Decorative timepieces
• Classical interiors
• Horology
• Estate collectibles
• European decorative arts

As with any mechanical object offered at auction, bidders should consult the individual condition report or lot description regarding movement, operation and originality.

Music, Craftsmanship & Collecting: Violins at Auction

At the bottom of the collection are two violins presented in cases.

For musicians and collectors, violins can be particularly fascinating auction discoveries.

Details such as construction, wood, varnish, internal labels, dimensions, workshop, origin, age and condition can all influence interest.

Photographs alone cannot establish these factors, making our public viewing particularly valuable for prospective bidders.

Whether intended as instruments, collector’s objects or decorative pieces, violins connect craftsmanship with musical history in a way few other objects can.

A Tapestry That Creates an Entire Scene

Perhaps the most visually narrative object in the collage is the large decorative tapestry.

It depicts figures surrounded by abundant foliage, flowers and animals, creating the impression of a richly populated historic garden.

Tapestries have long been used to introduce colour, texture and storytelling into interiors.

Unlike paintings, their woven surfaces absorb rather than reflect light, creating a softer visual effect.

Today, antique and vintage tapestries are increasingly used in both classical and contemporary interiors as large-scale statement wall pieces.

For collectors searching for antique tapestry, European wall tapestry, textile art, historic interior decoration or decorative wall art, this piece deserves a closer look.

Why Decorative Arts Remain So Collectible

Decorative arts are appealing because they allow collectors to live with history.

A sculpture can sit on a desk.

A clock can remain part of everyday life.

A tapestry can cover an otherwise empty wall.

A mirror can transform an entrance hall.

And an antique lamp can still illuminate a room generations after it was made.

These objects bridge the gap between collecting and living.

That makes them especially appealing to a new generation of buyers who may not want a completely traditional interior but do want unique objects with craftsmanship, patina and personality.

Looking for Antiques & Decorative Arts in Belgium?

Collectors discovering this auction may be searching for:

decorative arts auction Belgium, antiques auction Antwerp, antiques for sale Belgium, antique collectibles, European decorative arts, antique sculpture, bronze sculpture auction, antique clocks Belgium, antique mirror Belgium, gilt mirror, antique tapestry, vintage tapestry, antique porcelain, decorative porcelain, antique silverware, Tiffany style lamp, vintage lighting, antique violins, violins at auction, estate collectibles, objets d’art, online antique auction Belgium and Mortsel auction house.

These focused terms help buyers searching for individual categories discover the wider auction.

See the Details for Yourself

Objects such as these deserve to be viewed in person.

Scale, surface, colour, patina, texture and craftsmanship are difficult to communicate completely through photographs.

We therefore invite collectors, dealers and prospective buyers to visit during our upcoming public viewing days.

👀 VIEWING DAYS
Friday 23 October 2026
Saturday 24 October 2026

🔨 AUCTION DAYS
Tuesday 27 October 2026
Wednesday 28 October 2026

📍 Jordaens N.V. – Mortsel, Antwerp, Belgium

Please consult the individual catalogue entries for confirmed details regarding maker, period, dimensions, materials, markings, provenance and condition.

If You Could Choose Only One…

Would it be the monumental gilt mirror?

The Lady Justice sculpture?

The horse?

The ornate silver-toned centrepiece?

The porcelain pedestal?

The colourful lamp?

One of the clocks?

A violin?

Or the tapestry?

That is what makes an auction exciting — every collector notices something different.

Explore the full catalogue, save your favourite lots and visit us during the viewing days before bidding begins.

🏛️ Discover exceptional decorative objects
🔍 Examine your favourites in person
❤️ Save the lots that speak to you
🔨 Bid on 27 & 28 October

History does not have to live in a museum. Sometimes it can live beautifully in your home.

 

What if the piece that completely transforms your interior is not sitting in a furniture showroom — but waiting to be discovered at auction?

Our upcoming 27 & 28 October 2026 auction in Mortsel, Antwerp brings together an eclectic selection of antique furniture, vintage furniture, decorative arts and distinctive interior pieces spanning dramatically different styles and periods.

From richly carved wooden furniture and elegant display cabinets to leather seating, sculptural tables, clocks, Asian-inspired lacquer furniture and striking vintage design, this is a collection created for people who want their interiors to have something increasingly difficult to buy new:

Character.

Whether you are an established antique collector, interior designer, dealer, vintage enthusiast or simply searching for one remarkable piece for your home, our October auction offers plenty to discover.

One Auction. Many Different Interior Stories.

Look carefully at this collection and you will see just how diverse the world of furniture collecting can be.

Traditional craftsmanship sits alongside modern design.

Warm woods contrast with bold red leather.

Elaborately carved decoration appears beside clean architectural lines.

And that contrast is exactly what makes buying furniture at auction so interesting.

Among the pieces represented in this selection are:

• Antique and period-style wooden tables
• Carved wooden cupboards and storage furniture
• Glass-front display cabinets and vitrines
• Elaborately carved chests and trunks
• Tall multi-drawer cabinets
• Traditional and decorative clocks
• Leather armchairs and a Chesterfield-style sofa
• A striking red leather chaise longue
• Sets of dining or occasional chairs
• Ornate console and side tables
• Asian-inspired lacquer furniture
• Decorative carved and gilt architectural elements
• Vintage audio and hi-fi furniture
• Classical and vintage-inspired seating

It is the kind of auction where a collector searching for traditional antiques can find something beside a buyer furnishing a contemporary home.

Antique Furniture Is About More Than Age

A good antique piece can become a focal point of an entire room.

Why?

Because older furniture often carries details that are difficult to reproduce economically today: carving, joinery, patina, unusual proportions, decorative hardware and surfaces that have developed character over decades.

Look at the carved chest pictured in this selection, for example.

Its deeply worked front, sculptural ornament and substantial proportions make it more than simply storage. It becomes a decorative object in its own right.

The same can be said of the beautifully detailed console tables and carved furniture represented throughout this auction.

These pieces invite you to look closer.

And that is precisely what distinguishes interesting furniture from furniture that simply fills a space.

The Return of Rich Woods & Character Interiors

Interior trends constantly change, but one movement has become increasingly noticeable: homeowners and designers are once again mixing warm wood, vintage furniture and antiques with contemporary interiors.

A traditional cabinet does not necessarily require a traditionally furnished room.

Placed against a clean wall in a modern interior, an antique wooden display cabinet can become even more dramatic.

A carved side table can provide contrast beside contemporary seating.

And an old chest or cabinet can introduce warmth and texture into a minimalist room.

This approach allows individual pieces to stand out rather than making an entire room look like a historical recreation.

For buyers interested in creating an interior with personality, furniture auctions can therefore be an extraordinary source of inspiration.

Leather Furniture That Only Gets Better With Character

Leather seating has a visual presence all its own.

This October selection includes richly buttoned leather armchairs and a handsome Chesterfield-style leather sofa, designs that continue to appeal to both traditional and contemporary interiors.

The deep-buttoned upholstery and rolled forms associated with Chesterfield furniture create an instantly recognisable look that works particularly well in:

Libraries
Home offices
Living rooms
Clubs and hospitality interiors
Eclectic contemporary spaces

The collection also includes a dramatically different piece: a sculptural red leather chaise longue.

Its flowing profile and vivid colour make it the complete opposite of understated furniture — precisely the sort of statement piece that can define a room.

Cabinets, Display Furniture & Functional Antiques

Some of the most useful antiques are also among the most decorative.

The auction includes a tall glass-front display cabinet, ideal for displaying ceramics, glassware, collectibles, books or decorative objects while keeping them visible.

There are also traditional cupboards, a tall multi-drawer cabinet and other storage pieces combining practical use with decorative appeal.

These types of furniture are particularly attractive to buyers who want antiques that can continue to function as everyday furniture rather than simply being displayed.

An antique cabinet does not have to become a museum piece.

It can still hold your books.

Your glass collection.

Your silver.

Your records.

Your favourite objects.

That continued usefulness is part of the reason good antique furniture remains relevant.

When East Meets West

Another eye-catching piece in the collection is the tall Asian-inspired lacquer cabinet, decorated with contrasting red and dark panels and figurative and floral motifs.

Decorative furniture of this kind has long fascinated European collectors because it introduces a completely different visual language into an interior.

Placed among European antique furniture or used as a single statement piece within a contemporary room, lacquer furniture can provide a dramatic contrast of colour, texture and ornament.

Collectors interested in Asian decorative arts and oriental-style interiors should therefore pay particularly close attention to the October catalogue.

A Collection for Antique Lovers — And Design Lovers

Not everything in this auction belongs to the same design tradition.

That is intentional.

The selection also includes cleaner-lined and more modern-looking pieces, including a striking group of dark dining chairs and vintage audio furniture.

Increasingly, collectors are comfortable mixing periods.

An antique carved table can sit beneath contemporary artwork.

A vintage chair can be paired with an old cabinet.

A Chesterfield sofa can share a room with modern lighting.

Good interiors are rarely created by buying everything from one catalogue.

They evolve.

And auctions offer an opportunity to find objects that make that evolution personal.

Why Buy Furniture at Auction?

Furniture auctions offer something conventional furniture shops often cannot: variety, history and unpredictability.

Within one auction you may encounter pieces representing completely different eras, countries, materials and decorating traditions.

For collectors and interior enthusiasts, that makes every catalogue a treasure hunt.

People discovering our October auction may be searching online for:

antique furniture auction Belgium, vintage furniture Belgium, furniture auction Antwerp, antique furniture for sale, carved wooden furniture, antique cabinets, antique chest, vintage leather furniture, Chesterfield sofa Belgium, antique display cabinet, vintage dining chairs, antique console table, decorative furniture, Asian lacquer cabinet, interior design antiques, vintage furniture auction, antique clock Belgium, estate furniture auction and online furniture auction Belgium.

These commercially focused searches are exactly why furniture remains such an important category within our auctions.

See the Furniture Before You Bid

Furniture is especially rewarding to inspect in person.

Photographs reveal design, but viewing allows you to appreciate scale, colour, construction, surface, patina and condition much more accurately.

We therefore invite collectors, dealers and prospective buyers to visit us during our upcoming public viewing days.

👀 VIEWING DAYS
Friday 23 October 2026
Saturday 24 October 2026

🔨 AUCTION DAYS
Tuesday 27 October 2026
Wednesday 28 October 2026

📍 Jordaens N.V. – Mortsel, Antwerp, Belgium

Consult the individual catalogue descriptions for confirmed information regarding dimensions, materials, age, origin, maker and condition.

Which Piece Would Transform Your Interior?

Would you choose the carved antique chest?

The elegant display cabinet?

The red leather chaise longue?

The Chesterfield sofa?

Perhaps the lacquer cabinet?

Or one of the heavily carved tables?

That is the beauty of an auction like this.

There is no single definition of good design. There is simply the piece that speaks to you.

Explore the full October auction catalogue, save the lots that catch your attention and visit us during the viewing days before bidding begins.

🏛️ Discover furniture with history
👀 Inspect your favourite pieces in person
❤️ Save the lots you love
🔨 Bid on 27 & 28 October

Furniture fills a room. Exceptional furniture gives it a story.

Which piece would catch your eye first? 💎

From dazzling statement rings and elegant bracelets to striking coloured-stone jewellery and beautifully set earrings, our upcoming 27 & 28 October auction brings together a captivating selection of fine jewellery for collectors, jewellery lovers and buyers searching for something truly distinctive.

Some pieces are delicate and timeless. Others are bold enough to command attention from across the room.

Together, they demonstrate exactly why jewellery remains one of the most exciting categories to discover at auction.

Discover an Exceptional Selection of Fine Jewellery

The jewellery pictured in our October auction covers an impressive variety of styles, colours and designs.

Look closely and you will find elegant tennis-style bracelets, sophisticated earrings, classic halo settings, pavé-set statement rings, substantial men’s dress rings and colourful gemstone jewellery.

The selection includes pieces appearing to feature clear stones alongside rich red, deep blue, vivid green and delicate pale-blue or pink gemstones, set against white, yellow and rose-toned metals.

The result is a collection that ranges from understated elegance to unapologetic glamour.

Among the styles represented are:

• Statement and cocktail rings
• Halo and cluster rings
• Coloured gemstone jewellery
• Pavé-set rings and bands
• Men’s jewellery and dress rings
• Solitaire-style and multi-stone designs
• Tennis-style bracelets
• Gemstone bracelets
• Stud and cluster earrings
• Vintage-inspired and contemporary jewellery designs
• White-, yellow- and rose-toned jewellery

Whether your taste leans towards classic sophistication or bold modern design, this auction offers plenty to explore.

Why Buy Fine Jewellery at Auction?

One of the pleasures of buying jewellery at auction is discovery.

Unlike walking into a conventional jewellery shop where collections are usually organised around the current season, an auction can bring together pieces from completely different periods, styles and private collections.

A single sale may therefore contain everything from traditional gemstone rings and vintage jewellery to contemporary diamond-set designs, statement jewellery and unusual pieces that are difficult to find on the ordinary retail market.

For collectors, that variety creates opportunity.

For someone searching for an engagement ring, anniversary gift, special birthday present or distinctive piece of jewellery for themselves, auction can also offer an alternative to buying something mass-produced.

Every jewellery lot has its own design, character and story.

A Celebration of Colour

One of the most striking characteristics of this collection is its colour.

Against the brilliance of clear stones and polished metal are flashes of intense red, royal blue, vibrant green, soft pink and icy pale blue.

Coloured gemstones can completely change the personality of a piece of jewellery.

A deep red centre stone surrounded by brilliant clear stones creates a dramatic, traditional appearance.

A vivid green stone paired with geometric accents feels sophisticated and architectural.

Dark blue stones can bring richness and contrast, while pale pink and blue stones create a softer, more contemporary look.

It is this variety that makes viewing jewellery in person so rewarding.

Light interacts differently with every stone, cut and setting — something photographs can only partially capture.

From Understated Elegance to Statement Jewellery

Not every collector is searching for the same thing.

Some prefer jewellery that can be worn every day: an elegant bracelet, a classic pair of earrings or a beautifully proportioned ring.

Others want exactly the opposite.

They are searching for a statement cocktail ring, oversized gemstone, dramatic pavé setting or unusual vintage-inspired design that immediately attracts attention.

Our October selection offers examples at both ends of that spectrum.

There are clean, refined designs alongside bold sculptural rings covered in stones and highly decorative cluster settings.

That makes this an interesting auction not only for established collectors but also for anyone beginning to build a jewellery collection.

Jewellery Collectors Know: The Details Matter

When evaluating fine jewellery, photographs are only the beginning.

Experienced buyers examine the construction of a piece, its setting, condition, hallmarks, maker’s marks, weight, dimensions and the characteristics of individual stones.

Where available, information concerning gemstone identification, precious-metal content, carat weight, certificates, hallmarks and makers should always be checked in the individual catalogue description.

We therefore strongly encourage prospective bidders to inspect the jewellery during our public viewing days.

It is the best opportunity to appreciate proportions, colour, brilliance and craftsmanship before deciding which piece belongs on your bidding list.

Looking for Diamond, Gemstone or Vintage Jewellery in Belgium?

Our auctions regularly attract private buyers, collectors, dealers and international bidders searching for distinctive jewellery outside the traditional retail environment.

People discovering this October sale may be searching for:

fine jewellery auction Belgium, jewellery auction Antwerp, diamond jewellery auction, gemstone rings for sale, vintage jewellery Belgium, estate jewellery auction, coloured gemstone jewellery, luxury rings, diamond rings, gemstone earrings, tennis bracelets, men’s diamond rings, cocktail rings, vintage-inspired jewellery, jewellery collectors, luxury jewellery auction, jewellery for sale in Belgium and online jewellery auction.

For international buyers, online bidding provides an opportunity to participate even when visiting the auction house in person is not possible.

See the Jewellery in Person – Viewing 23 & 24 October

Jewellery deserves to be seen under real light.

We invite collectors and prospective buyers to visit us during our public viewing days and take a closer look at the pieces that have caught their attention.

👀 VIEWING DAYS
23 & 24 October 2026

🔨 AUCTION DAYS
27 & 28 October 2026

📍 Jordaens N.V. – Mortsel, Antwerp, Belgium

Whether you are searching for your next collector’s piece, a memorable gift or simply something beautiful to wear, this October auction could hold an unexpected discovery.

Which One Would You Bid On?

Perhaps it is the rich red centre stone surrounded by brilliant clear stones.

Maybe the striking green gemstone ring catches your attention.

Perhaps you prefer the clean elegance of a tennis bracelet, the bold pavé rings or one of the classic earrings.

The difficult part may not be finding a favourite — it may be choosing only one.

Explore the complete auction catalogue, inspect your favourite lots during the viewing days and register to bid on 27 & 28 October.

💎 Discover the collection.
👀 See your favourites in person.
❤️ Save the lots you love.
🔨 And get ready to bid.

Because the right piece of jewellery doesn’t simply complete an outfit — sometimes it becomes part of your story.